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They had to arrange extra concerts. And in Saint-Petersburg Ledovy Palace was crowded the whole week! In the same year while developing the immediate album the musicians decided to disband the band as the project became rather cramped to bring their ideas to live. It was a blessing for the fans as the crazy inflammatory songs came back to them renewed and more interesting.

The album attracted new fans as well. Meanwhile mass media went on boycotting the band. There were no new tracks of the band in any play-list of any radio and TV channel. The album was discussed only in Internet but in a very active way because the present and the past of the band attract all kinds of fans. Great changes took place in the style of performance, arrangements and texts.

The quality of the product was evident. The album was magnificent. An unusual combination of vocal, texts and music could lead to the only conclusion: the guys are genuine professionals and the years of work yielded fruit.

Having sung their best songs, Dan and Mutabor confirmed once again their unique status at Russian stage and proved that the interest in the band even increased. The music of this recording is somewhat softer, than in previous ones, but nevertheless the number of appreciation increased in geometric series. The combination of humour and emotional lyrics with an excellent musical illustration makes the album easier for listening and understanding of a much wider auditory.

Nowadays the band maybe temporarily has stopped producing new songs and appear on stage only on request. Dan and Mutabor have found themselves in deejaying. Mutabor has also his own dance project — Paltus Mutantus.

Although there is a lot of cynicism in their work and even some extremism, which is peculiar to youths, their songs are about life, about situations, which can happen to everybody, and above all they often touch more than most subtle and deep emotions. PR House, Dubstep. Downtempo, Chillout. Trip-Hop, Lounge. Ragga Jungle, Booty breaks. The Best!

Electro, Electro House. Novosti Sporta VS. Electro House, Electro. Malchishnik was one of the first artists to openly use explicit lyrics on Russian music scene. Frequent use of obscene language and explicit descriptions of sexual acts provided shock value and attracted listeners raised within conservative and asexual Soviet culture.

Their s albums featured production influenced by Miami bass , old school hip hop and synthpop. The lack of modern music equipment in post-Soviet Russia was reflected in the quality of these records. Their post-hiatus albums showcased more professional production with influences from drum and bass , big beat and crunk. Most Russian hip hop fans have always viewed Malchishnik as a pop group. This caused some controversy as to whether Malchishnik should be considered the first Russian rappers or not.

During the first years of their career, they were one of the most popular artists in Russia, particularly among pop-oriented teenagers. With techno and later, house music gaining mainstream popularity in mids, Russian youth lost interest to hip hop. While s saw the rise of a vivid Russian rap fandom, reunited Malchishnik maintains very limited popularity.

Malchishnik's legacy has influenced some newer Russian dirty rap artists such as Pornorap and Fucktory. These followers stay at the level of popularity that is far below of what Malchishnik had in earlier s, but probably higher than Malchishnik has today.

From Wikipedia, the free encyclopedia. Rudin, produced by E. Karimov, produced by Mutabor Fast food, fast woman lyrics by N. Hohlina, produced by I. A specific kind of smoke feat. Authority control MusicBrainz : fd3babcb0f81a Categories : Musical groups from Moscow Russian hip hop Russian hip hop musicians Russian hip hop groups. Hidden categories: Webarchive template wayback links Articles with hCards Articles containing Russian-language text Hidden templates using styles Wikipedia articles with MusicBrainz identifiers.

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Пена монтажная - доставка, разгрузка. Скидки постоянным клиентам. "Славянский Мир.

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